Rhymefest in the mirror
Heralded by the Chicago Tribune as the best Michael Jackson album in 25 years (fitting given the current 25 year anniversary of Thriller), this exercise in mixtape-ology is a great piece of work which perhaps is only possible in the internet age. Mix-tapes have become an increasingly popular way for established and new artists to push work of questionable legality or of uncertain commerciality direct to fans. They are quickly becoming a mainstay of the hip-hop underground. And there is certainly nothing legal about Rhymefest's use of Jackson's back catalogue, but rather than being a thoughtless plundering of classic beats, or indeed a cheap shot at a much derided and increasingly confusing musical icon, Fest's tribute is heartfelt, clever, inventive, and clearly made by a true fan.
Fest's raps are on point and guest spots from Mary J, Talib and Ghostface add to the mix, but it is the skits and inter-splicing of Jackson's out-takes and contrived discussions between Jackson and Fest which give the project a touching humanity. Jackson's legal woes are his business, but there is no doubt that many music fans are puzzled as to how to treat an artist who has had such a positive impact on music's legacy, and yet has faced such strange personal issues. Well here is a project that allows a different insight into Jackson's world, and a different perspective on his iconic image, and for that it is priceless. Check it out, even if just for curiosity, and you may be pleasantly surprised. If you are Rhymefest fan, you'll be interested also and delighted that a precursor to his new legal album is available. Original and well executed, the era of the mixtape has just entered a new phase.


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